Music/Style Electronic, Ambient, Dub, Deep-Dubstep, Experimental, Reggae, Dubstep
Date March 11, 2020
Quality 320 kbps MP3 | FLAC
Imprint Independent
Format Album
5th edition of Selected Works compilation features various and exclusive dubplates & versions made mostly in 2017-2020 period. These compilations serve as a way to say thank you to everyone who supported me through all these years, everyone who spreads my music, buys my records, attend my gigs or organise them. I am forever grateful to you for making my life an unforgettable journey. I hope you enjoy this compilation as much as I enjoyed making the songs. Feel free to share it with your friends. Thank you!
Date March 11, 2020
Quality 320 kbps MP3 | FLAC
Imprint Independent
Format Album
5th edition of Selected Works compilation features various and exclusive dubplates & versions made mostly in 2017-2020 period. These compilations serve as a way to say thank you to everyone who supported me through all these years, everyone who spreads my music, buys my records, attend my gigs or organise them. I am forever grateful to you for making my life an unforgettable journey. I hope you enjoy this compilation as much as I enjoyed making the songs. Feel free to share it with your friends. Thank you!
Style Hardstep, Neurofunk, Drum and Bass, Hardstyle/Hardcore, Dubstep/Drumstep
Release 16/11/2021
Quality 320 kbps MP3
Imprint Нейромонах Феофан
Format Album
А что, люд честной! Готовы ль новые лапти? Нашиты ль рубахи с вышивкой да сарафаны со стразами? К чему вопросы?
- Да к тому, что батюшка «НЕЙРОМОНАХ ФЕОФАН» новым альбомом «Древнерусский рейв» нас порадовал!
Несметное количество сил было приложено к его созданию! Исполинские басы прямиком из глубин веков пронзающей стрелою неимоверной энергии вонзятся в душу, да и расплывётся прыткая ядрёность по всему телу, оцеловывая ланиты да раззадоривая длани. Сладкий звон новенькой балалаечки равнодушным не оставит никого, а ещё я гитары электрические задорные применил. Диву даться легче, чем носа касаться!
Опосля прослушивания обязательно напишите своё впечатление в комментариях, а ежели достойным сочтете, то поделитесь с друзьями, дабы Драм древнерусский славою своею ярче всех воссиял!
Сведение да мастеринг: Рустам Мансуров aka RUSTY K.
Release 16/11/2021
Quality 320 kbps MP3
Imprint Нейромонах Феофан
Format Album
А что, люд честной! Готовы ль новые лапти? Нашиты ль рубахи с вышивкой да сарафаны со стразами? К чему вопросы?
- Да к тому, что батюшка «НЕЙРОМОНАХ ФЕОФАН» новым альбомом «Древнерусский рейв» нас порадовал!
Несметное количество сил было приложено к его созданию! Исполинские басы прямиком из глубин веков пронзающей стрелою неимоверной энергии вонзятся в душу, да и расплывётся прыткая ядрёность по всему телу, оцеловывая ланиты да раззадоривая длани. Сладкий звон новенькой балалаечки равнодушным не оставит никого, а ещё я гитары электрические задорные применил. Диву даться легче, чем носа касаться!
Опосля прослушивания обязательно напишите своё впечатление в комментариях, а ежели достойным сочтете, то поделитесь с друзьями, дабы Драм древнерусский славою своею ярче всех воссиял!
Сведение да мастеринг: Рустам Мансуров aka RUSTY K.
Style Dubstep, Deep Dubstep, Melodic-Dubstep, Trap
Release 8/11/2021
Quality 320 kbps MP3
Imprint LW Recordings
Nr# LWDUBH02
Tracks and remixes from Cam Lasky, Rettchit, Grindclock, Leon Switch, OHMS, CJ Beep, 1Point5, Ipsiom, Freaks Out Sound, Kronix, Dissenta, Smokefade, Akkai, Liam Rydall, Radio Bomb, Volatile Cycle, MAHI , DienZi, Max MYZ, Max Vertigo & Irina FOX, INSIKE, Ali McK & IYZ, With Bear, Alan Phobs, Tommy Nebula, Pyramint! Dubstep is a genre of electronic dance music that originated in South London, England, that generally features syncopated drum and percussion patterns with bass lines that contain prominent sub bass frequencies. LW Recordings is owned and managed by the very same team who run Label Worx & the Alter Ego Music group of labels in the UK. The main focus for this label is to deliver hot digital compilations ranging from House, Electro, Techno & Hard Dance to a global store network.
Release 8/11/2021
Quality 320 kbps MP3
Imprint LW Recordings
Nr# LWDUBH02
Tracks and remixes from Cam Lasky, Rettchit, Grindclock, Leon Switch, OHMS, CJ Beep, 1Point5, Ipsiom, Freaks Out Sound, Kronix, Dissenta, Smokefade, Akkai, Liam Rydall, Radio Bomb, Volatile Cycle, MAHI , DienZi, Max MYZ, Max Vertigo & Irina FOX, INSIKE, Ali McK & IYZ, With Bear, Alan Phobs, Tommy Nebula, Pyramint! Dubstep is a genre of electronic dance music that originated in South London, England, that generally features syncopated drum and percussion patterns with bass lines that contain prominent sub bass frequencies. LW Recordings is owned and managed by the very same team who run Label Worx & the Alter Ego Music group of labels in the UK. The main focus for this label is to deliver hot digital compilations ranging from House, Electro, Techno & Hard Dance to a global store network.
Style Drum and Bass, BreakBeat, Uk Garage, Deep Dubstep
Release 19/11/2021
Quality 320 kbps MP3
Imprint False Industries
Nr# FALSE 034
Format Album
Release 19/11/2021
Quality 320 kbps MP3
Imprint False Industries
Nr# FALSE 034
Format Album
Yair Etziony's first album under the TMUX moniker - last year's "State of Exception" - developed as the Berlin-based artist and False Industries boss was attempting to rationalize his experience of the COVID-19 lockdown. Seemingly trapped in a world with a dissolving future, he looked to his past as a drum & bass DJ and his love of 1990s IDM, garage and Detroit techno to guide his escape.
- On "Stars", there's less of a conceptual framework, but Yair again looks to his lifelong love of bass to inform the album's sonic landscape. More optimistic than its predecessor, "Stars" still retains a melancholy flavor that can be traced back to rave backrooms or chill-out spaces. Opening track 'Artificial Flavours (Euphoric Version)' illustrates this perfectly, with whimsical, minor-key pads wrapped around chugging chopped breaks like a comfort blanket.
'Kfar Saba' nudges the tempo down and conjures a sound that we can trace back to Andy Weatherall's loose, dubwise experimentation or Moby's dancefloor-friendly emotionality. 'Unsustainable' meanwhile heads into fractured post-dubstep territory, welding brickwall subs to glitchy 2-step rhythms that remind of T++, Bristol's Livity Sound label, or Yair's "Altered State" collaborator Appleblim.
- Dedicated to False Industries graphic designer and Yair's good friend Tuvia K, 'King Tubi' makes the 1990s references far more tangible, using a chunky, blunted break and molasses-slow acid funk to remind of a world where it felt like anything was possible. But the drum 'n bass influence is still the most pervasive sound on "Stars" - 'Wasteland' and the album's closing title track are Yair's most upfront tracks to date, harking back to the precise techstep sound of Virus Recordings and Renegade Hardware.
- On "Stars", there's less of a conceptual framework, but Yair again looks to his lifelong love of bass to inform the album's sonic landscape. More optimistic than its predecessor, "Stars" still retains a melancholy flavor that can be traced back to rave backrooms or chill-out spaces. Opening track 'Artificial Flavours (Euphoric Version)' illustrates this perfectly, with whimsical, minor-key pads wrapped around chugging chopped breaks like a comfort blanket.
'Kfar Saba' nudges the tempo down and conjures a sound that we can trace back to Andy Weatherall's loose, dubwise experimentation or Moby's dancefloor-friendly emotionality. 'Unsustainable' meanwhile heads into fractured post-dubstep territory, welding brickwall subs to glitchy 2-step rhythms that remind of T++, Bristol's Livity Sound label, or Yair's "Altered State" collaborator Appleblim.
- Dedicated to False Industries graphic designer and Yair's good friend Tuvia K, 'King Tubi' makes the 1990s references far more tangible, using a chunky, blunted break and molasses-slow acid funk to remind of a world where it felt like anything was possible. But the drum 'n bass influence is still the most pervasive sound on "Stars" - 'Wasteland' and the album's closing title track are Yair's most upfront tracks to date, harking back to the precise techstep sound of Virus Recordings and Renegade Hardware.